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DTSTART;TZID=Europe/Belgrade:20240913T180000
DTEND;TZID=Europe/Belgrade:20240914T130000
DTSTAMP:20260403T190931
CREATED:20240905T152309Z
LAST-MODIFIED:20240905T152309Z
UID:16724-1726250400-1726318800@nmkv.rs
SUMMARY:Thematic Guidance “Metamorphoses of Cities” Through the Exhibition “Cities: A Certain View”
DESCRIPTION:Thematic guidance of “Metamorphosis of Cities” through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will be organized on Friday\, September 13th\, 2024\, at 6 p.m.\, as well as on Saturday\, September 14th\, 2024\, at 12 p.m.  \nArt historian Jelena Marković will guide you through the exhibition. The comprehensive transformation of urban space and architecture under the influence of social\, economic and technological changes\, which rapidly took place since the 18th century\, remained recorded in the works of artists of that era. Changes in urban landscapes—from traditional streets and squares to industrial zones and modern boulevards—provided new inspirations and themes for artists who captured the dynamism of the new times through their works.  \nIn this guidance\, discover how industrialization\, urbanization and technological progress have reshaped the views of cities: from compact centers with narrow streets and richly decorated squares\, through industrial landscapes with factories and chimneys\, to modern boulevards\, parks and illuminated streets.
URL:https://nmkv.rs/event/thematic-guidance-metamorphoses-of-cities-through-the-exhibition-cities-a-certain-view/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-thematic-guidance-Metamorphoses-of-Cities-through-the-exhibition-Cites-–-A-Certain-View-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20240918T180000
DTEND;TZID=Europe/Belgrade:20240921T120000
DTSTAMP:20260403T190931
CREATED:20240911T154750Z
LAST-MODIFIED:20240911T154750Z
UID:16769-1726682400-1726920000@nmkv.rs
SUMMARY:Thematic Guidance “Grand Tour to Italy” Through the Exhibition “Inspired by Italy”
DESCRIPTION:The thematic guidance “Grand Tour to Italy” through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska will be organized on Wednesday\, September 18th\, 2024\, at 6 p.m.\, as well as on Saturday\, September 21st\, 2024\, at 11 a.m. Art historian Jelena Marković will guide you through the part of the exhibition related to the study trips of Serbian artists to Italy. \nThe great journey of artists to Italy in the 19th century was a significant cultural phenomenon that shaped the art scene of Europe. Young artists\, intellectuals and aristocrats travelled to the Apennine Peninsula for artistic education and inspiration\, viewing this journey as a key part of their cultural maturation. Due to its artistic and historical treasures\, Italy was an ideal destination. Cities like Rome\, Florence and Venice were centers of classical\, renaissance and baroque art\, offering artists the opportunity to study the works of the great Italian masters. \nA large number of Serbian artists educated during the 19th century at European art academies\, primarily in Vienna and Munich\, stayed in Italy as part of their study trips. You will have the opportunity to find out during this themed guide what their encounter with the art created in Italy was like\, which cultural and historical places and monuments they liked to visit and how the tour of churches\, museums and galleries influenced their further work and the shaping of their artistic expression.
URL:https://nmkv.rs/event/thematic-guidance-grand-tour-to-italy-through-the-exhibition-inspired-by-italy/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-thematic-guidance-Grand-Tour-to-Italy-through-the-exhibition-Inspired-by-Italy-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20240919T190000
DTEND;TZID=Europe/Belgrade:20240919T200000
DTSTAMP:20260403T190931
CREATED:20240911T155909Z
LAST-MODIFIED:20240911T160358Z
UID:16776-1726772400-1726776000@nmkv.rs
SUMMARY:Meditations on the Visual Culture of Italy: Njegoš's Grand Tour
DESCRIPTION:Lecture “Meditations on the Visual Culture of Italy: Njegoš’s Grand Tour” Saša Brajović\, PhD\, professor at the Department of Art History of the Faculty of Philosophy of the University of Belgrade and author of the book “Njegoš’s Grand Tour: Meditations on the Visual Culture of Italy”\, will be held in the Gallery of the National Museum of Kraljevo\, on Thursday\, September 19\, 2024\, starting at 19:00\, as part of the exhibition “Inspired by Italy” of the Gallery.Matica Srpska \nThe lecture will be devoted to the journey of Peter II Petrović Njegoš in Italy from November 1850 to August 1851. According to the way it went\, the places and artifacts that Njegoš saw\, this journey was the so-called “Grand Tour”\, one of the distinct phenomena of European culture of the 19th century. Njegoš’s communication with many segments of Italian culture and the duality of his impressions will be presented – simultaneous wonder at transience and joy at the beauty of Italy. The method of construction of Njegoš’s traveller’s view will be considered\, concepts and phenomena\, literature and personalities that influenced him will be pointed out. The places (urban units\, landscapes\, museums\, galleries\, palaces) where Njegoš was will be identified\, but it will not only be an inventory of what Njegoš observed\, but also a reflection on the ways in which Italian landscapes\, cities and artifacts were presented to him. \, as well as about the echo that their presentation at that time caused in him. The lecture not only analyses what Njegoš saw\, but also answers the question of why he saw it and how he saw it.
URL:https://nmkv.rs/event/meditations-on-the-visual-culture-of-italy-njegoss-grand-tour/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-lecture-by-Sasa-Brajovic-Njegoss-Grand-Tour-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20240920T180000
DTEND;TZID=Europe/Belgrade:20240921T130000
DTSTAMP:20260403T190931
CREATED:20240911T155235Z
LAST-MODIFIED:20240911T155235Z
UID:16772-1726855200-1726923600@nmkv.rs
SUMMARY:Thematic Guidance “From Veduta to a Postcard” Through the Exhibition “Cities: A Certain View”
DESCRIPTION:Thematic guidance “From Veduta to a Postcard” through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will be organized on Friday\, September 20th\, 2024\, at 6 p.m.\, as well as on Saturday\, September 21st\, 2024\, at 12 p.m. Art historian Jelena Marković will guide you through the exhibition. \nVeduta in painting or graphics represents detailed and realistic depictions of cities\, landscapes and architectural scenes. This genre developed in the 17th century in Italy\, and later spread to other European countries such as the Netherlands\, in response to the growing need for depictions of the urban landscape with documentary and educational purposes. The production of veduta relied on the needs of travellers\, merchants and collectors\, who wanted memories of visits to famous European metropolises. With the advent of postcards in the late 19th century\, these precise depictions of urban landscapes were slowly replaced by a new medium that was faster\, more accessible\, and widely distributed. Although they have lost the artistic complexity of veduta\, postcards have kept their essence — the representation of cities. \nIn this guide\, you can find out how technology and the development of printing influenced the visual representation of the urban landscape\, how the view of the city changed over time\, what cultural and social values that view reflected\, and what the “journey” looked like from the view to the postcard.
URL:https://nmkv.rs/event/thematic-guidance-from-veduta-to-a-postcard-through-the-exhibition-cities-a-certain-view/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-thematic-guidance-From-Veduta-to-a-Postcard-through-the-exhibition-Cities-–-A-Certain-View-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20240925T180000
DTEND;TZID=Europe/Belgrade:20240928T120000
DTSTAMP:20260403T190931
CREATED:20240917T143727Z
LAST-MODIFIED:20240917T143727Z
UID:16808-1727287200-1727524800@nmkv.rs
SUMMARY:Thematic Guidance “The Influence of Italian Art on Serbian Painting” Through the Exhibition “Inspired by Italy”
DESCRIPTION:The thematic guidance “The Influence of Italian Art on Serbian Painting” through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska will be organized on Wednesday\, September 25th\, 2024\, at 6 p.m.\, as well as on Saturday\, September 28th\, 2024\, at 11 a.m. Art historian Jelena Marković will guide you through the part of the exhibition that refers to the emergence of new themes and motifs for which Serbian painters found inspiration in Italian art. \nSerbian art of the 15th\, 16th\, and 17th centuries\, as well as earlier eras\, was created in the spirit of the Byzantine artistic tradition\, which is why today we can only speak incompletely about Italian influences on Serbian art. Hints of the presence of elements of art created on the soil of the Apennine peninsula\, begin to be more clearly expressed in the works of the generation of Serbian artists from the end of the 17th and the beginning of the 18th century\, and especially during the 19th century. Historical and social changes\, the migration of the Serbian population towards the north of Europe and the borders of the Habsburg Empire\, also influenced the transformation of Serbian art. \nWhen the first signs of acceptance of early Renaissance culture appear in Serbian history and how the Italian influence continues to develop in Serbian art until the early 20th century\, you will find out during this guide.
URL:https://nmkv.rs/event/thematic-guidance-the-influence-of-italian-art-on-serbian-painting-through-the-exhibition-inspired-by-italy/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-thematic-guidance-The-Influence-of-Italian-Art-on-Serbian-Painting-through-the-exhibition-Inspired-by-Italy-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20240927T180000
DTEND;TZID=Europe/Belgrade:20240928T130000
DTSTAMP:20260403T190931
CREATED:20240917T144806Z
LAST-MODIFIED:20240917T144806Z
UID:16812-1727460000-1727528400@nmkv.rs
SUMMARY:Thematic Guidance “Development of Graphics in European Art” Through the Exhibition “Cities: A Certain View”
DESCRIPTION:Thematic guidance “Development of Graphics in European Art” through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will be organized on Friday\, September 27th\, 2024\, at 6 p.m.\, as well as on Saturday\, September 28th\, 2024\, at 12 p.m. Art historian Jelena Marković will guide you through the exhibition. \nDuring the 19th century\, graphics reached full maturity. In that period\, the number of printed sheets exceeded the entire previous production. Graphics were made in all\, old and new techniques\, for different social classes and purposes\, from newspaper and book illustrations\, advertising posters\, reproductions\, to single or serial prints of various themes. However\, this rapid development was accompanied by numerous challenges. The authentic poetic and artistic properties of this medium were meaningless during the repetition. For this reason\, graphics were reduced to a technical tool and completely degraded in relation to painting. In other words\, graphics were no longer considered art. \nYou will find out during this guide how the development of graphics and its techniques in European art went\, and how it fought for its place among the most valued art forms.
URL:https://nmkv.rs/event/thematic-guidance-development-of-graphics-in-european-art-through-the-exhibition-cities-a-certain-view/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/PODF3F1.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241001T180000
DTEND;TZID=Europe/Belgrade:20241001T190000
DTSTAMP:20260403T190931
CREATED:20240926T102432Z
LAST-MODIFIED:20240926T121809Z
UID:16859-1727805600-1727809200@nmkv.rs
SUMMARY:Guided Tour Through the Exhibition “Inspired by Italy”
DESCRIPTION:Guided tour through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska will be organized on Wednesday\, October 1st\, 2024\, at 6 p.m. Art historian Jelena Marković will guide you through the exhibition. \nThrough more than 30 works of art by Serbian painters from the 19th and 20th centuries\, such as Novak Radonić\, Nadežda Petrović\, Jeftimi Popović and others\, the exhibition “Inspired by Italy” shows a journey through the history of Serbian-Italian cultural and artistic ties\, as well as the experience of artists who drew inspiration from the Italian artistic tradition. \nThe exhibition includes copies of great works by Italian masters such as Parmigianino\, Guido Reni and Pompeo Batoni\, as well as depictions of Italian cities\, people and heritage\, revealing the ways in which Serbian artists integrated Italian styles and motifs into their work. Professional guidance will provide a comprehensive insight into the techniques\, styles and influences that have shaped the artistic works of Serbian creators\, at the same time highlighting the importance of Italian art for the development of their artistic identity.
URL:https://nmkv.rs/event/guided-tour-through-the-exhibition-inspired-by-italy/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-second-week-of-the-guided-tours-through-the-exhibition-Inspired-by-Italy-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241002T180000
DTEND;TZID=Europe/Belgrade:20241002T190000
DTSTAMP:20260403T190931
CREATED:20240926T180802Z
LAST-MODIFIED:20240926T180802Z
UID:16865-1727892000-1727895600@nmkv.rs
SUMMARY:Guided Tour Through the Exhibition “Cities: A Certain View”
DESCRIPTION:Guided tour through the exhibition “Cities: A Certain View. From the Collection of Prints by Foreign Authors of the National Museum of Serbia” will be organized on Wednesday\, October 2nd\, 2024\, at 6 p.m. Art historian Jelena Marković will guide you through the exhibition. \n48 works and 36 artists included in the exhibition “Cities: A Certain View. From the Collection of Prints by Foreign Authors of the National Museum of Serbia” they tell the story of the city as a place of origin\, as well as the dramatic and accelerated development of modern culture and art\, first at the transition from the 18th to the 19th and then from the 19th to the 20th century. \nThe authors of the exhibited works are the authors of the so-called middle current in artistic trends. That is why their representation of the city is “certain”\, and there are no turning points in the story. In it\, two ways of understanding the city separated by a century are confronted\, and their works show how the image of the city has changed\, without major breaks and drama.
URL:https://nmkv.rs/event/guided-tour-through-the-exhibition-cities-a-certain-view/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-the-second-week-of-the-guided-tours-through-the-exhibition-Cities-–-A-Certain-View-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241003T190000
DTEND;TZID=Europe/Belgrade:20241003T200000
DTSTAMP:20260403T190931
CREATED:20240917T145713Z
LAST-MODIFIED:20240925T201405Z
UID:16815-1727982000-1727985600@nmkv.rs
SUMMARY:Author’s Guidance Through the Exhibition “Inspired by Italy”
DESCRIPTION:The author’s guidance through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska will be organized in the Gallery of the National Museum Kraljevo\, on Thursday\, October 3rd\, 2024\, starting at 7 p.m. Art historian and curator of the Gallery of Matica Srpska Stanislava Jovanović Mindić will guide you through the exhibition. \nThe author’s guidance will point to Serbian-Italian cultural and artistic ties\, that is\, to Serbian artists who found role models and incentives for their creativity in the artistic tradition of Italy. Along with the interpretation of copies of works according to Italian masters Parmigianino\, Guido Reni and Pompeo Batoni\, drawings of Italian cities and landscapes will be presented\, as well as graphic sheets of foreign artists created according to Raphael\, Titian and Annibale Caracci. Visitors will have the opportunity to hear more about the concept of the exhibition and the Serbian artists who were educated\, studied in Italy or studied before works of art that they had the opportunity to see in the cities of Europe.
URL:https://nmkv.rs/event/author-s-guidance-through-the-exhibition-inspired-by-italy/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-authors-guidance-by-Stanislava-Jovanovic-Minidc-through-the-exhibition-Inspired-by-Italy-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241004T090000
DTEND;TZID=Europe/Belgrade:20241004T200000
DTSTAMP:20260403T190931
CREATED:20240926T182231Z
LAST-MODIFIED:20240928T223340Z
UID:16869-1728032400-1728072000@nmkv.rs
SUMMARY:Author’s Guidance Through the Exhibition “Cities: A Certain View”
DESCRIPTION:Author’s guidance through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will be organized in the Gallery of the National Museum Kraljevo\, on Friday\, October 4th\, 2024\, at 7 p.m. Dragana Kovačić\, PhD\, art historian and museum advisor of the National Museum of Serbia\, will guide you through the exhibition. \n48 works and 36 artists included in the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” tell the story of the city as a place of origin\, as well as the dramatic and accelerated development of modern culture and art\, first at the transition from the 18th to the 19th and then from the 19th to the 20th century. The authors of the exhibited works are the authors of the so-called middle current in artistic trends. That is why their representation of the city is “certain”\, and there are no turning points in the story. \nThe tour will include various details\, elements and images that make up the city’s surroundings. Over time\, striking details become symbols of cities or accents used in the artistic presentation of city spaces. Through the tour of the exhibition\, verticals\, ground floors\, striking spaces and street art will be treated as landmarks from which the city can be “read” through different scales – from pedestrian observation (frames) to panorama.
URL:https://nmkv.rs/event/author-s-guidance-through-the-exhibition-cities-a-certain-view/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/09/Poster-for-authors-guidance-by-Dragana-Kovacic-through-the-exhibition-Cities-–-A-Certain-View-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241010T190000
DTEND;TZID=Europe/Belgrade:20241205T130000
DTSTAMP:20260403T190931
CREATED:20241002T073806Z
LAST-MODIFIED:20241002T073806Z
UID:16882-1728586800-1733403600@nmkv.rs
SUMMARY:Exiles / Izgnali so nas
DESCRIPTION:The exhibition “Exiles” (“Izgnali so nas”) of the Museum of National Liberation Maribor\, Slovenia\, by Irene Mavrič Žižek\, PhD\, will be opened in the Gallery of the National Museum Kraljevo\, on Thursday\, October 10th\, 2024\, starting at 7 p.m. \nThe Nazi occupation of Slovenian Styria in the spring of 1941 was a great disaster for Slovenians. In accordance with Hitler’s order “Make this country German again!” the occupier wanted to destroy the Slovenian nation as an ethnic entity in just five years and completely Germanize the country. \nArrests and mass deportations of the Slovenian population stand out among the most important measures. According to the guidelines for the emigration of foreign elements from Lower Styria\, issued on April 18th\, 1941 in Maribor by Heinrich Himmler\, head of the German police and state commissioner for strengthening the German nation\, nationally conscious Slovenes\, especially educated people (professors\, teachers\, priests\, etc.). \nThe first transport with exiles from the Melja barracks started on June 7th\, 1941. Because of the collapsed tunnel near Črešnjevac\, the exiles were transported by trucks to the railway station in Slovenska Bistrica. From there\, the road led them to Serbia\, to the Aranđelovac concentration camp. After June 9th\, when the tunnel at Črešnjevac was completed\, all further transports until July 26th\, 1941\, departed from the Maribor railway station. In the first wave of deportations\, which took place according to a precisely planned plan and schedule\, 12 transports left from June 7th to July 5th\, of which 11 were from Maribor and one from Reichenburg. 4\,607 people were deported to Serbia and the territory of the National Democratic Republic. Among them were 520 Maribor families with 1\,913 members. \nThe Nazis wanted to deport the majority of Slovenes to Serbia\, except for those eligible for Germanization\, but for various reasons\, from July 12th\, 1941\, they had to deport them to other countries. From June 7th to July 10\, 1941\, 6\,802 people were deported to Serbia in 17 transports. Serbian authorities distributed most of the Slovenian exiles who received special “refugee cards” to villages\, where they lived with Serbian families. Many exiles also stayed in the cities where exile colonies were founded. Locals in Serbia hospitably accepted the Slovenian exiles. They helped them as much as they could\, even though they themselves had a hard time going through life under the German occupation.
URL:https://nmkv.rs/event/exiles-izgnali-so-nas/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/10/Poster-for-the-exhibition-Exiles-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Suzana Nov%C4%8Di%C4%87":MAILTO:suzana.novcic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241017T190000
DTEND;TZID=Europe/Belgrade:20241205T130000
DTSTAMP:20260403T190931
CREATED:20241011T175254Z
LAST-MODIFIED:20241014T102007Z
UID:17031-1729191600-1733403600@nmkv.rs
SUMMARY:Allied Bombing – 80 Years Later
DESCRIPTION:The exhibition “Allied Bombing – 80 Years Later\, Kraljevo\, Ruins – Mass Grave” will be opened in the Gallery of the National Museum Kraljevo\, on Thursday\, October 17th\, 2024\, starting at 7 p.m. The authors of the exhibition are Silvija Krejaković\, museum advisоr of the Belgrade City Museum and Aleksandar Berežnov\, senior archivist of the Historical Archive Kraljevo. \nThe Allied bombing of Kraljevo and its surroundings is part of a wider military-strategic plan to stop the Second World War. In order to prevent the grouping of German forces and their movement from the Balkans to the Western Front\, the commands of the Balkan Military Air Force (BAF) directed a series of aerial bombing missions against military-strategic targets in the Balkans. During 1944\, the German army group “E” was attacked\, which was retreating from Greece through the Moravian-Vardar valley in the direction of Yugoslavia. \nAs among the primary targets of the Allied bomber missions of the 205th RAF Group (Royal Air Force) of the British Army and the 15th US Air Force (15 Air Force)\, consisting of bombers and fighters\, were military airports and railway infrastructure\, Kraljevo was targeted by air it strikes as an important railway junction with the pre-war facilities of the Wagon Factory and the Aircraft Factory\, as well as a military airport. Human losses and material destruction\, as a consequence of the failures and misjudgments of the Allied air attacks\, were therefore in the greatest number in the city’s residential districts. The railway and airport colonies\, the city hospital\, the Gymnasium building\, the buildings of the Railway Workshop and Loghouse\, the Catholic Church\, part of the city cemetery and the Farmer’s Estate were affected. The map of the destruction also included the area around the railway bridge in Western Morava\, railway lines: Kraljevo-Kragujevac (Vitanovac\, Šumarice\, Ratina)\, Kraljevo-Čačak (Grdica\, Adrani\, Samaila\, Goričani\, Zablaće) and Kraljevo-Raška (Čibukovac\, Mataruška Banja\, Polumir\, Ušće). The names of 72 victims in the Kraljevo area and the chronology of the bombing in a series of allied airstrikes from July 22nd\, on the night of 10th/11th\, have been established. August\, September 1st and 2nd\, and the last one\, September 19th\, 1944. According to data established on the basis of sources\, apart from 5 soldiers of the Serbian State Guard and the Yugoslav Army in the homeland\, 67 victims were civilians. At most\, 46 victims died in the night bombing on August 11th. Eight children under the age of 13 were among the victims. \nDocuments\, photographs\, lists of the Serbian Orthodox Church\, German military reports\, reports and aerial photographs of veterans of bombing missions preserved on the Internet testify to the extent of the suffering.
URL:https://nmkv.rs/event/allied-bombing-80-years-later/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/10/Poster-for-the-exhibition-Allied-Bombing-–-80-Years-After-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241107T180000
DTEND;TZID=Europe/Belgrade:20241107T190000
DTSTAMP:20260403T190931
CREATED:20241031T205036Z
LAST-MODIFIED:20241105T101515Z
UID:17072-1731002400-1731006000@nmkv.rs
SUMMARY:Geopolitical Glossary of the Balkans
DESCRIPTION:The promotion of the book “Geopolitical Glossary of the Balkans” by Professor Milomir Stepić will be held in the Gallery of the National Museum Kraljevo\, on Thursday\, November 7th\, 2024\, starting at 6 p.m. Historian Ljubodrag P. Ristić\, PhD\, Branimir Nešić\, director of the publishing house “Catena Mundi”\, as well as the author himself\, will talk about the book. \nThe book provides a detailed insight into the geopolitics of Southeast Europe and was created after several decades of research into the geopolitics of the region and the world. It represents the most extensive and complete source of knowledge about the forces and processes shaping our peninsula and a concise and systematic dictionary that provides definitions\, explanations and context for geopolitical terms\, phenomena and events that are familiar to everyone. This scientific guide to understanding the Balkans makes it easier to understand the laws by which states come into being and disappear in this part of the world. Through a complicated network of geopolitical concepts and a clearly expressed intention to reveal their often-hidden meanings\, or colloquial interpretations\, it enables a precise insight into the complex conceptual structure that geopolitics as a synthetic science uses\, explicated on the example of the Balkans as a complex zone of geographical\, cultural\, political\, economic\, religious and geopolitical interests. \nThe book was created as a product of the scientific work of the author – a top expert in geopolitics\, whose theoretical knowledge\, social cognition and decades of scientific experience undeniably go deep into many scientific disciplines. The book presents the author’s great scientific-theoretical knowledge in scientific fields such as geography\, history\, economics\, political science\, military strategy\, defence science\, sociology\, law\, culture science\, ethnography\, communication science. That is why it is intended for experts as well as for a wider audience. As a geopolitical guide for reliable movement through the intricate “Balkan wasteland”\, the book demystifies the secrets of historical traditions and cultural-religious heritage\, thereby refuting entrenched and arbitrarily understood geopolitical stereotypes about the Balkans. \nThrough Stepić’s glossary\, the Balkans are seen as a historically created “contact zone” of “meeting civilizations”\, their confrontation and conflict\, while also pointing to the constantly present non-Balkan geopolitical vectors of influence and interests of their regional “partners”. As the author states in the preface of the book\, “The original characteristic terms\, neologisms and compounds arose not only from dynamic geopolitical processes at the turn of the 20th and 21st centuries\, but also from their tendentious placement in the so-called a hybrid war that is continuously being waged primarily in the (post)Yugoslav part of the Balkans”. This geopolitical pattern has been against the national and state interests of Serbs and Serbia for at least two centuries. Coded as the “main geopolitical opponent” of the West in the wider area of the Balkans\, and especially in the (post)Yugoslav area\, the Serbs are constantly the target of their destructive actions and interests. Milomir Stepić (1959) is a Serbian geographer and geopolitician. He graduated in 1985 from the Faculty of Geography at the University of Belgrade\, and in 1997 he obtained the title of Doctor of Geographical Sciences. He worked as a professor at the Faculty of Geography at the University of Belgrade from 1986 to 2008\, and from 2008 to 2012 he was a professor at the Faculty of Geoeconomics at Megatrend University. \nHe was also an invited lecturer at the Faculty of Political Sciences of the University of Belgrade\, the Faculty of Economics of the University of Belgrade\, the Military Academy of the University of Defense in Belgrade and the Diplomatic Academy of the Ministry of Foreign Affairs. He is a scientific associate of the Institute for Political Studies\, a member of the Committee for the Study of Kosovo and Metohija and the Committee for the Study of the Population of the Serbian Academy of Sciences and Arts\, as well as a member of the Serbian Geographical Society. Since 2020\, he has been the editor of the Collection of Matica Srpska for Social Sciences\, and he is also a member of the editorial board of the scientific journals National Interest and Serbian Political Thought. He is the holder of the Order of the Star of Karađorđe\, first class. His most famous works are: “Kosovo and Metohija: A Postmodern Geopolitical Experiment”\, “Geopolitics – Ideas\, Theories\, Concepts”\, “Serbian Geopolitical Pattern”.
URL:https://nmkv.rs/event/geopolitical-glossary-of-the-balkans/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/10/Poster-for-the-promotion-of-the-book-by-Milomir-Stepic-Geopolitical-Glossary-of-the-Balkans-in-the-National-Museum-Kraljevo-1.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241115T190000
DTEND;TZID=Europe/Belgrade:20241115T200000
DTSTAMP:20260403T190931
CREATED:20241106T212029Z
LAST-MODIFIED:20241106T212029Z
UID:17085-1731697200-1731700800@nmkv.rs
SUMMARY:Church of the Holy Trinity in Kraljevo
DESCRIPTION:Kraljevo has always had a special place within the Serbian state: the city is located at the very source of church and state history and is a place of long duration directly related to Žiča\, as the canter of coronations of kings\, ordination of bishops\, great councils of spiritual and secular authorities. \nIn the first half of the 19th century\, about 1\,200 inhabitants lived in the town of Karanovac\, and during the period of the Serbian Revolution (1804-1835)\, the town gradually took on the appearance of an organized and important trade and craft canter of the Principality of Serbia. The Church of the Holy Trinity\, which was built between 1822 and 1824\, as the founding temple of Prince Miloš Obrenović\, plays a significant role in this. It is dedicated to one of the most important Christian holidays\, the solemn celebration of the Descent of the Holy Spirit on the apostles or Holy Pentecost. \nAccording to legend\, Prince Miloš fell asleep and dreamed that if he defeated the Turks\, he would build a church on that very spot\, and that’s what happened. The place where the church was built is also linked to the murder of the famous Duke of Dragačević\, Milić Radović\, on the orders of Prince Miloš\, and it is believed that his body was buried in the foundations of the church. Joakim Vujić also speaks clearly about the location and motives for building the church in his book “Travels around Serbia”\, stating that it was the site of a battle and a truce with the Turks. \nThe construction of the Church of the Holy Trinity in Karanovac began between 1822 and 1824\, and Prince Miloš contributed 7\,700 groschen for the construction. Vasilije Popović\, lord of the Požega Nahija\, informed Miloš that on July 13th\, 1823\, together with the princes\, serfs and six priests\, he laid the foundations of the temple. In the Chronicle of the church\, it is recorded that the previous log church was moved to the port in 1824 and that services were held there. The intention of Prince Miloš was that the church in Karanovac should have monumental and representative features\, which is why he appointed the best craftsman of the time\, Janko Mihailović\, known as Janja\, as the builder. This famous master\, originally from Macedonia\, also had the help of master Nikola Đorđević. The Church of the Holy Trinity in Kraljevo is a single-nave building with a semicircular altar apse and semicircular lateral fists at the base. The entrance to the church\, on the west side\, has a vestibule with a gallery and a two-story bell tower. On the fence of the gallery is written the Gospel lesson: “Speaks the eternal Truth (God)\, what you do not wish for yourself\, do not do to others.” \nThe decoration of the interior of the church was also entrusted to the best painters. Prince Miloš contributed money for the creation of the icon\, the Imperial Doors and the large cross above the iconostasis. The prince’s most valuable gift was the Gospel from Russia\, which dates back to 1804\, during the time of Emperor Alexander I. Prince Miloš also contributed two bells to the church\, while the third bell was a gift from Prince Aleksandar Karađorđević (1842-1858). The iconostasis was completed in 1827\, but it was later moved to the church of the village of Sirča\, while the Church of the Holy Trinity was decorated with a richer iconostasis by the famous painter Nikola Marković\, with his collaborators. \nThe activity of the famous bishop Joanikije Nešković\, the restorer of the Žiča Monastery\, indicates the fact that the bishop commissioned the creation of the iconostasis in the Karanovac church\, which became an episcopal church in 1859. As the seat of the Diocese of Užice was moved from Čačak to Karanovac during the time of Bishop Joanikije\, and the bishop passed away in 1873\, it is assumed that the painting of the temple began in that period. The return of the seat of the bishopric to Karanovac\, the renaming of the city to Kraljevo (1882)\, and then the renaming of the bishopric to the Diocese of Žiča in 1884\, had enormous significance for the Church of the Holy Trinity\, when the seat of the bishop of Žiča and his diocesan court was moved to Kraljevo.
URL:https://nmkv.rs/event/church-of-the-holy-trinity-in-kraljevo/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/11/Poster-for-the-promotion-of-the-monograph-by-Dragoljub-Danilovic-Church-of-the-Holy-Trinity-in-Kraljevo-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241122T180000
DTEND;TZID=Europe/Belgrade:20241122T190000
DTSTAMP:20260403T190931
CREATED:20241115T000924Z
LAST-MODIFIED:20241115T000924Z
UID:17128-1732298400-1732302000@nmkv.rs
SUMMARY:Presentation of the Legacy of Professor Zoran Gavrić
DESCRIPTION:Professor Zoran Gavrić (1949-2020)\, was an art historian and theoretician\, curator and director of the Museum of Contemporary Art\, art interpreter and university professor of art history and aesthetics. \nHe left behind an entire library of translations and interpretations of the most prestigious teachings of classical and contemporary art science\, as well as its affirmative application\, both in museum practice and in the academic education of artists. The book and its organon library are the first things we think of when we think of Zoran Gavrić. Hence\, the initiative of his wife Gordana and daughter Sofija\, to donate to the National Museum Kraljevo a part of the library of this excellent intellectual\, which mainly refers to contemporary art\, as a kind of legacy\, depicts his inner world in the best way and speaks about him more than the texts that he wrote dedicated. The legacy includes a total of 627 books\, of which 528 are monographs and 99 are serial publications. In addition\, 20 VHS cassettes were left\, original editions of films about important world artists\, which Professor Gavrić used in his work with students. This resource has been digitized in its entirety. \nThrough his family ties\, through his wife Gordana Gavrić\, Zoran\, born in Valjevo\, was tied to Kraljevo\, which turned out to be his last destination: he was buried in the old Kraljevo cemetery. Legacy of Zoran Gavrić bequest to the National Museum Kraljevo bequeaths to this city the preservation of the memory of an exceptional personality of our national culture\, but at the same time it actively influences researchers\, above all of contemporary art\, to continue working in the intellectual field of Professor Gavrić\, through a lively relationship and use of this resource. \nDragan Bulatović\, artist Saša Pančić and donor Gordana Gavrić will participate in the presentation.
URL:https://nmkv.rs/event/presentation-of-the-legacy-of-professor-zoran-gavric/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/11/Poster-for-the-presentation-of-the-Legacy-of-prof.-Zoran-Gavric-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241126T180000
DTEND;TZID=Europe/Belgrade:20241128T190000
DTSTAMP:20260403T190931
CREATED:20241119T132013Z
LAST-MODIFIED:20241119T132013Z
UID:17160-1732644000-1732820400@nmkv.rs
SUMMARY:Author's Guidance Through the Exhibition “Allied Bombing – 80 Years Later”
DESCRIPTION:Author’s guidance through the exhibition “Allied Bombing – 80 Years After” will be organized on Tuesday\, November 26th\, 2024\, at 6 p.m. and on Thursday\, November 28th\, 2024\, at 6 p.m. The audience will be guided through the exhibition by Aleksandar Berežnov\, senior archivist of the Historical Archives Kraljevo. \nPerhaps unjustly neglected\, and marked by great suffering of citizens\, a special period in the history of the city is the time during the Allied bombing of Kraljevo and the surrounding area in the period July-September 1944. Hundreds of tons of bombs of great destructive power fell on the city and its surroundings on several occasions during that time\, causing great material damage and causing dozens of civilian casualties. \nAt the exhibition\, the public has the opportunity to see documents and data from the available funds and collections of the National Museum Kraljevo and the Historical Archives Kraljevo\, as well as other institutions. The suffering of citizens and the great material damage are evidenced by a small number of photographs\, the Patient Book of the Kraljevo Hospital\, reports of war damage submitted to the district commission\, reports of the Railway Workshop\, statements in court probate proceedings\, lists of those executed\, protocols of the deceased of the Serbian Orthodox Church\, as well as other documents of all warring parties\, including documents of participants in Allied air missions… \nThe most impressive part of the exhibition is made up of the preserved statements of those who survived the bombings. Their emotional memories most vividly describe the horrors they experienced\, the losses of family members\, neighbors\, fellow citizens… After the bombing\, many citizens were left without their homes\, and there were many injured people. \nNumerous questions arise\, such as: can the “collateral damage” in the form of dozens of civilian victims be justified by the liberation of the Kraljevo region two months after the last bombing\, could the bombs have been dropped more precisely\, were the targets chosen incorrectly…Kraljevo is a city that does not have a memorial dedicated to the victims of the Allied bombings\, of whom more than 70 have been identified. Apart from five uniformed individuals\, all the other victims were civilians\, and entire families also died. The city was devastated upon liberation.
URL:https://nmkv.rs/event/authors-guidance-through-the-exhibition-allied-bombing-80-years-later/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/11/Poster-for-the-authors-guidance-by-Aleksandar-Bereznov-through-the-exhibtion-Allied-Bombing-–-80-Years-After-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241129T180000
DTEND;TZID=Europe/Belgrade:20241129T190000
DTSTAMP:20260403T190931
CREATED:20241119T153342Z
LAST-MODIFIED:20241119T153342Z
UID:17170-1732903200-1732906800@nmkv.rs
SUMMARY:Two Branko’s Kozaras
DESCRIPTION:The film “Two Branko’s Kozaras” was produced by the Genocide Victims’ Museum in Belgrade and is dedicated to the tragic suffering of tens of thousands of innocent members of the Serbian people in the great Croatian-German offensive on Kozara in the summer of 1942. The film was directed by Ivica Vidanović\, the screenwriter is Božidar Knežević\, and the expert consultant is Bojan Arbutina\, curator-historian of the Genocide Victims’ Museum in Belgrade. The project was supported by the Ministry of Culture of the Republic of Serbia and the Foundation of the Genocide Victims’ Museum in Belgrade. \nThrough the fictional story of the old man Branko\, who as a boy hid on Kozara from the enemy\, and archival footage\, the film tells the story of suffering during the pogrom of 1942. Confronting his suffering past and walking through the forests of Kozara\, the old Branko recalls his fears and suffering\, his childhood and the struggle for life in those merciless times. It is a story about a child who\, against his will\, ended up in the vortex of the most horrific crimes committed against his people in centuries of history\, and a story about the burden he grew up with and carries until his old age. \nThe film also uses authentic footage from Kozara\, which was not shown after World War II. They represent part of the “picture book”\, or the journal of the Independent State of Croatia\, the original of which is kept in Serbia. \n“Branko’s Two Kozaras” rounds off the project of the Museum of Genocide Victims\, which included an exhibition dedicated to the Battle of Kozara and the subsequent Kozara epic\, a bilingual exhibition catalogue\, as well as collections of selected documents and testimonies published in Serbian and translated into English. \nIn addition to the film screening\, a lecture entitled “Kozara 1942” will be given by Nikola Miloševski\, curator of the Genocide Victims’ Museum in Belgrade. In the spring of 1942\, partisan units fought successfully to expand the free territory\, which included several important strategic points and urban and economic centers in the Bosnian Krajina. Prijedor\, Ljubija\, Oštrelja and Bosanski Petrovac were liberated\, while vital communications to the Sava\, Vrbas and Sana valleys were constantly threatened. This was reason enough for German and Croatian military forces to launch a large-scale offensive on the strongest partisan stronghold in the Bosnian Krajina on Kozar. During the major German-Croatian offensive from July 10th to 15th\, 1942 on Kozara\, it is estimated that over 40 thousand Serbs died\, of whom about 12 thousand were children under the age of fifteen.
URL:https://nmkv.rs/event/two-branko-s-kozaras/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/11/Poster-for-the-projection-of-the-movie-Two-Brankos-Kozaras-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241205T180000
DTEND;TZID=Europe/Belgrade:20241205T190000
DTSTAMP:20260403T190931
CREATED:20241201T235945Z
LAST-MODIFIED:20241201T235945Z
UID:17253-1733421600-1733425200@nmkv.rs
SUMMARY:Charisma of Emperor Dušan – History and Memory
DESCRIPTION:The author\, in his latest work\, brings a new\, comprehensive view of the era of King and Emperor Stefan Dušan\, the most influential Serbian medieval ruler\, his role and place in history\, viewed through the prism of the past\, within the framework of a kind of culture of memory in our environment. \nThe rise of the state during the time of Emperor Stefan Dušan enabled the proclamation of the empire\, the belief that Serbia would replace Byzantium and stop the arrival of the Turks. Falling under Turkish rule and losing a large part of its medieval heritage\, the people\, in resistance to subjugation\, preserved through traditions the awareness of Emperor Dušan and the glorious state of the Nemanjićs as confirmation of their existence. At the same time\, this memory awakened hope in the fight for freedom. The cult of Dušan the Strong was revived in the liberation wars of the 19th century\, and the dream of restoring Dušan’s empire inspired political aspirations in Serbia for a long time. \nAt the very end\, we will also learn how the transfer of Dušan’s relics after World War II affected the communist public.
URL:https://nmkv.rs/event/charisma-of-emperor-dusan-history-and-memory/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/11/Poster-for-the-promotion-of-the-book-by-Kosta-Nikolic-Charisma-of-Emperor-Dusan-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20241212T190000
DTEND;TZID=Europe/Belgrade:20250210T130000
DTSTAMP:20260403T190931
CREATED:20241205T131110Z
LAST-MODIFIED:20241205T131110Z
UID:17266-1734030000-1739192400@nmkv.rs
SUMMARY:Ksenija Divjak – Between Reality and Myth
DESCRIPTION:The exhibition “Ksenija Divjak – Between Reality and Myth” will be opened in the Gallery of the National Museum Kraljevo\, on Thursday\, December 12th\, 2024\, starting at 7 p.m.\, on the occasion of the centenary of the artist’s birth. \nThe core of the exhibition\, whose authors are Suzana Novčić and Ljubiša Simović\, museum advisors of the National Museum Kraljevo\, consists of works from the museum’s Art Collection\, of which there are 33 in total. At the end of 1995\, after the death of Ksenija Divjak\, the National Museum Kraljevo received thirteen works from the legacy of this artist\, as a gift from the National Museum of Serbia. Two decades later\, Dr. Olivera Radojković Čolović donated a valuable artistic legacy to the National Museum Kraljevo\, which also includes twenty works by Ksenija Divjak. \nIn addition\, in order to fully present the artist’s work\, the exhibition also includes a significant number of works of art from other institutions: the Museum of Contemporary Art in Belgrade\, the Gallery of Fine Arts – Rajko Mamuzić Collection in Novi Sad\, the Modern Gallery in Valjevo and the Art Gallery “Nadežda Petrović” in Čačak. \nThanks to this\, a complex and authentic world of Ksenija Divjak is brought to life: on the one hand\, the thematic approach that she has cultivated throughout her life and which includes nudes\, still lifes\, themes of doubles\, mythological themes and landscapes\, and on the other hand\, the media in which\, in addition to oil on canvas\, she most often worked\, such as watercolours\, pastels\, drawings and gouaches. \nShe is one of the first postmodern artists of her time\, who opted for the figure and figuration\, derived from the models and canons of art history. The author uses them and brings them to life in her imagination\, creating her own personal and artistic “museum without borders.”Ksenija Divjak was born in 1924 in Ivanić Grad\, Croatia. She lived in Zagreb until 1941\, when she came to Belgrade with her family as a refugee. She enrolled at the Academy of Fine Arts in 1943\, graduating in 1949. She was a member of Association of Fine Artist of Serbia\, the “Belgrade Group” and the “Lada” Art Association. She travelled and studied in Italy\, France\, Greece and Spain\, whose culture and art she was most attached to. She died in Belgrade in 1995.
URL:https://nmkv.rs/event/ksenija-divjak-between-reality-and-myth/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2024/12/Poster-for-the-exhibition-Ksenija-Divjak-–-Between-Reality-and-Myth-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Suzana Nov%C4%8Di%C4%87":MAILTO:suzana.novcic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250123T180000
DTEND;TZID=Europe/Belgrade:20250123T190000
DTSTAMP:20260403T190931
CREATED:20250113T171518Z
LAST-MODIFIED:20250113T171518Z
UID:17334-1737655200-1737658800@nmkv.rs
SUMMARY:Kosovo Myth in Our Time
DESCRIPTION:The Kosovo Covenant is a concept that is being talked about more and more today. Although there is no single definition\, it has a clear meaning and visible presence in historical sources. In today’s world\, oriented towards individualism\, materialism\, hedonism\, and even nihilism\, Kosovo’s commitment to the Kingdom of Heaven has an almost subversive meaning. This is\, by all accounts\, the attractive power of the Kosovo Covenant in our time. \nThe first impetus for new interpretations was given by the poem “Na Gazimestanu” by Milan Rakić\, the Serbian consul in Priština and the son-in-law of Ljuba Kovačević\, published in 1907 in the elite “Serbian Literary Herald” (reprinted in the collection “New Poems”\, as part of the cycle “On Kosovo 1912). There\, among other things\, the “sacrificial” “sacred source” was emphasized\, interpreted in a patriotic key: \n“And today\, when it reaches the last color / Undazzled by the old halo’s glow / I will give life\, my fatherland / Knowing what I give and why I give it.” \nAn important incentive were the sculptures of Dalmatian sculptor Ivan Meštrović\, intended to be part of his monumental “Vidovdan Temple”. They were recognized as the official\, artistic form of the Vidovdan idea\, around which the Yugoslav youth movement gathered. The Vidovdan idea\, as Isidora Sekulić (1911) called it\, or the Vidovdan ethic\, as Miloš Đurić (1914) called it\, was a return to the heroic and “sacrificial” in Kosovo tradition. Vidovdan\, as the day of the Battle of Kosovo\, gained renewed popularity since the time of the appearance of Vuk’s collections. The new\, Vidovdan idea\, appeared mostly among the younger generations\, in the era after the annexation crisis of 1908-1909. and it aimed to restore vigor and self-confidence to Serbian culture\, faced with the colonial ambitions and war threats of Austria-Hungary. It can be said that it was a Serbian echo of vitalism and heroic activism\, which were preached at that time by Henri Bergson and Friedrich Nietzsche. Miloš Đurić interpreted the “philosophy of Kosovo” as “the philosophy of the phoenix-bird\, the philosophy of Golgotha”\, while Isidora Sekulić wrote that the Vidovdan idea should be “a living and vibrant consciousness of falcons and soldiers and cultural workers”\, “which will make us ramparts that do not fall”.
URL:https://nmkv.rs/event/kosovo-myth-in-our-time/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/01/Poster-for-the-lecture-by-Milos-Kovic-Kosovo-Myth-in-Our-Time-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Darko Gu%C4%8Danin":MAILTO:darko.gucanin@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250128T180000
DTEND;TZID=Europe/Belgrade:20250128T190000
DTSTAMP:20260403T190931
CREATED:20250121T205341Z
LAST-MODIFIED:20250121T205341Z
UID:17342-1738087200-1738090800@nmkv.rs
SUMMARY:Census 1863
DESCRIPTION:The books “Census 1863” I-II cover Karanovac and the Karanovac District (Book I) and villages outside the Karanovac District\, today part of the City of Kraljevo (Book II)\, and were published by the National Museum Kraljevo\, and were prepared by Bojana Miljković Katić\, PhD and Nemanja Trifunović. These are prepared historical sources of the first order – a census of people\, real estate and income from 1863\, for the territory of today’s City of Kraljevo\, which is one of the most important historical sources for the demographic\, economic and social history of Serbia in the 19th century. \nGiven that this census is an indispensable document in the reconstruction of family genealogies and the origins of families\, there is great interest in its publication in society\, and over the past decades a significant number of census books have been published for numerous towns and rural areas in Serbia. These two books are the first to publish census books for the entire territory of the City of Kraljevo\, which will allow many residents of Kraljevo and its surroundings\, as well as those whose origins are in the Kraljevo region\, to find information about their ancestors. The prepared material is stored in the State Archives of Serbia\, in the Fund of the Ministry of Finance – Department of Foresight. Due to the volume of the prepared material\, it was divided into two books. The first book includes a census of the town of Karanovac (today’s Kraljevo) and rural settlements that belonged to the then Karanovac District. The second book covers settlements that today administratively and territorially belong to the City of Kraljevo\, and in 1863 were located outside the Karanovački district. These are villages in the Gružanski\, Jošanički\, Moravski\, Dragačevo\, Studenica and Trnava districts. For easier overview\, the census data are presented in tabular form with nine columns: serial number\, name and surname of household members\, state of health of the person\, age\, real estate\, monthly income\, class by property\, class by income and notes. \nThe program is attended by: editor Ljubodrag P. Ristić\, PhD\, reviewers Aleksandra Vuletić\, PhD and Radomir J. Popović\, PhD and editors Bojana Miljković Katić\, PhD and Nemanja Trifunović.
URL:https://nmkv.rs/event/census-1863/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/01/Poster-for-the-promotion-of-the-book-by-Bojana-Miljkovic-Katic-and-Nemanja-Trifunovic-Census-1863-I-II-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Nemanja Trifunovi%C4%87":MAILTO:nemanja.trifunovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250206T180000
DTEND;TZID=Europe/Belgrade:20250206T190000
DTSTAMP:20260403T190931
CREATED:20250131T170011Z
LAST-MODIFIED:20250131T170011Z
UID:17444-1738864800-1738868400@nmkv.rs
SUMMARY:Smak
DESCRIPTION:The monograph entitled “Smak” represents an important and indispensable part of Serbian and Yugoslav musical culture\, especially when it comes to its sub-genre called rock and roll. Although a band from Kragujevac\, “Smak” is of exceptional importance to Kraljevo and the people of Kraljevo\, given that its two members are drummer Slobodan Stojanović Kepa and keyboardist Laza Ristovski from Kraljevo. Smak had its beginnings in Kraljevo\, where the song “Blues in the Park” was created. \nThe author of the monograph is Ksenija Đerković\, a journalist and archivist at the Historical Archives of Šumadija in Kragujevac. The book\, which is almost 600 pages long\, includes photographs from all periods of the band’s work\, history\, newspaper articles from the press throughout the then Yugoslavia\, posters\, placards and concert tickets\, discography\, song lyrics\, fan letters\, anecdotes about the band\, interesting facts\, biographies of all band members. Most of the material is from the family archive of the author of the Monograph\, given that she is the daughter of one of the founders and drummer of the band “Smak”\, Slobodan Stojanović Kepa. The monograph contains authorial texts by rock critic Branimir Lokner (Monograph reviewer) and Petar Janjatović\, as well as rock photographer Branislav Brajan Rašić and the author of the Monograph\, Ksenija Đerković. The publisher of the monograph is the Kragujevac-based Association “Smakovci”\, and the publication of the monograph “Smak” was supported by SOKOJ\, the city of Čačak\, the city of Kraljevo and the National Museum Kraljevo. \nThe rock band “Smak” was founded on December 4th\, 1971 in Kragujevac by guitarist Radomir Mihajlović Točak\, drummer Slobodan Stojanović Kepa and bassist Zoran Milanović. At the beginning of their career\, the band worked on the route Kraljevo – Čačak – Kragujevac\, in the cities where the three founders of the band come from. Even before the first official discographic releases\, the band had a large fan base in cities across Serbia\, and many of them followed them at their performances. The band\, reinforced by another Kraljevo resident\, Laza Ristovski\, and singer Boris Aranđelović\, began recording for record labels throughout Yugoslavia and Germany. Its popularity grew\, and the group “Smak”\, regardless of the changes in the lineup\, gained the status of one of the biggest rock bands in Yugoslavia in the 1970s and 1980s. \nThe monograph was preceded by a retrospective exhibition of the archive materials of the group “Smak” called “Smak 50” from 2022\, when the group celebrated half a century of existence. The exhibition was a guest at the National Museum Kraljevo during 2023. \nThe book reviewer Branimir Bane Lokner and author Ksenija Đerković will speak at the promotion\, with musical accompaniment by Jovan Pantić.
URL:https://nmkv.rs/event/smak/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/01/Poster-for-the-promotion-by-Ksenija-Djerkovic-Smak-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Oleg Romanov":MAILTO:oleg.romanov@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250214T180000
DTEND;TZID=Europe/Belgrade:20250410T130000
DTSTAMP:20260403T190931
CREATED:20250206T112522Z
LAST-MODIFIED:20250206T112522Z
UID:17484-1739556000-1744290000@nmkv.rs
SUMMARY:Between Trapeza and Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia
DESCRIPTION:The exhibition “Between the Trapeza and Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” presents metal vessels collected over more than 150 years\, diverse in type and purpose\, material and technique. You can see silver and gilded plates and glasses that were an integral part of ceremonial tables and personal valuables\, as well as those made of other non-ferrous metals used daily for storing\, preparing and serving food and drinks. Hand-washing utensils were also considered part of tableware\, so the small number of preserved objects used for that purpose shows the attention paid to their decoration.   \nOf the total number of 81 metal vessels from the collections of the Department of the Middle Ages of the National Museum of Serbia exhibited on this occasion\, almost half are silver\, sometimes gilded\, while the rest are made of base metals and alloys\, such as copper and lead\, brass and bronze. \nThe presence of influences from various cultural environments is noticeable both on vessels created during and on the territory of the Serbian medieval state\, and on areas inhabited by the Serbian people in the Ottoman Empire. Simple Byzantine forms\, plant and animal ornamentation characteristic of Western Gothic art\, as well as rumi\, hataj and saz motifs present on works of Ottoman provenance are encountered. In some examples\, these elements coexist\, and on a smaller number of vessels\, religious iconography is also represented.   \nWith their diversity\, the metal vessels in the exhibition “Between the Trapeza and Sofra” provide a glimpse into the types and shapes of vessels found\, used\, and often made in the territory of traditional Serbian lands from the early 13th to the dawn of the 20th century. The desire was expressed to bring this long period closer to visitors through the method of display and provide insight into the customs and habits related to dining and other activities that accompany or precede it. In addition to their historical and ethnographic value\, the exhibited vessels are also of great artistic importance\, since many of them display unique iconographic and decorative solutions that cannot be found outside the collection of the National Museum of Serbia.   \n 
URL:https://nmkv.rs/event/between-trapeza-and-sofra-metal-vessels-from-the-13th-to-the-19th-century-in-the-collections-of-the-national-museum-of-serbia/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/02/Website-event-cover-for-the-exhibition-Between-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250221T180000
DTEND;TZID=Europe/Belgrade:20250221T190000
DTSTAMP:20260403T190931
CREATED:20250212T194620Z
LAST-MODIFIED:20250212T194620Z
UID:17524-1740160800-1740164400@nmkv.rs
SUMMARY:Promotion of the Journal “Our Past” 22
DESCRIPTION:The promotion of the journal “Our Past” 22\, the scientific and professional journal of the National Museum Kraljevo and the Historical Archives Kraljevo\, will be held in the Gallery of the National Museum Kraljevo\, on Friday\, February 21st\, 2025\, starting at 6 p.m. The works will be presented by Gordana Gavrić\, advisor to the director of the Foundation of the Holy Monastery of Hilandar\, Ana Kostić Đekić\, PhD\, associate professor at the Faculty of Philosophy\, University of Belgrade\, and Miloš Timotijević\, PhD\, museum advisor of the National Museum Čačak. The publication of the fifth issue of the magazine “Our Past” after a two-year break\, in the organization and preparation of the new editorial team\, will be discussed by the editor of the journal\, Tatjana Mihailović\, PhD\, museum advisor of the National Museum Kraljevo.
URL:https://nmkv.rs/event/promotion-of-the-journal-our-past-22/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/02/Website-event-cover-for-the-promotion-of-the-journal-Our-Past-22-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250305T183000
DTEND;TZID=Europe/Belgrade:20250308T120000
DTSTAMP:20260403T190931
CREATED:20250228T195526Z
LAST-MODIFIED:20250301T170229Z
UID:17608-1741199400-1741435200@nmkv.rs
SUMMARY:Thematic Guidance “Cups of Balkan Gentleman” Through the Exhibition “Between Trapeza and Sofra”
DESCRIPTION:Thematic guidance through the exhibition “Between the Trapeza and the Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” related to the topic “Cups of the Balkan Gentlemen” will be organized on Wednesday\, March 5th\, 2025\, at 6 p.m. and on Saturday\, March 8th\, 2025\, at 11 a.m. \nTatjana Mihailović\, PhD\, museum advisor of the National Museum Kraljevo and art historian Jelena Marković will guide you through the part of the exhibition that includes the most luxurious type of tableware\, made of silver\, often gilded and decorated with many representations. \nThe place of the glass in feudal society\, which lasted in our region from the Middle Ages through the entire Ottoman period\, is extremely important\, because they are part of the objects that denoted high social status. In various types of social rituals\, such as feasts held in royal or feudal halls\, glasses play an important role in toasts where individuals stand out. Therefore\, they are often inscribed with the owner’s name and are richly decorated with various symbols.
URL:https://nmkv.rs/event/thematic-guidance-cups-of-balkan-gentleman-through-the-exhibition-between-trapeza-and-sofra/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/02/Website-event-cover-for-the-thematic-guidance-Cups-of-Balkan-Gentleman-through-the-exhibition-Between-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250311T180000
DTEND;TZID=Europe/Belgrade:20250311T190000
DTSTAMP:20260403T190931
CREATED:20250301T153148Z
LAST-MODIFIED:20250301T153148Z
UID:17615-1741716000-1741719600@nmkv.rs
SUMMARY:Cross from Kosovo
DESCRIPTION:The half-hour documentary-feature film “Cross from Kosovo”\, produced by the Genocide Victims’ Museum\, sheds light on the centuries-old suffering of the Serbian people in Kosovo and Metohija\, with a special focus on the suffering years of World War II. \nThe film was directed by Ivica Vidanović\, the screenwriter is Božidar Knežević\, and the expert consultants are Nikola Miloševski and Nenad Antonijević\, PhD\, historians of the Genocide Victims’ Museum. Actors Dejan Cicmilović\, Vasilije Milić and Katarina Milić also play in the film. The realization of the project was made possible by the Ministry of Culture of the Republic of Serbia\, “Telekom” Serbia and the Foundation of the Genocide Victims’ Museum.   \nAfter the screening of the film “Cross from Kosovo”\, Nikola Miloševski\, curator of the Genocide Victims’ Museum\, will give a lecture on the topic “Crimes Against Serbs and Jews in Kosovo and Metohija during World War II”.
URL:https://nmkv.rs/event/cross-from-kosovo/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/02/Website-event-cover-for-the-projection-of-the-film-Cross-from-Kosovo-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250312T080000
DTEND;TZID=Europe/Belgrade:20250315T120000
DTSTAMP:20260403T190931
CREATED:20250308T193434Z
LAST-MODIFIED:20250308T193434Z
UID:17640-1741766400-1742040000@nmkv.rs
SUMMARY:Thematic Guidance “In the Service of God and Faithful People: Cult Metal Vessels” Through the Exhibition “Between Trapeza and Sofra”
DESCRIPTION:Thematic guidance entitled “In the Service of God and the Faithful People: Cult Metal Vessels” through the exhibition “Between Trapeza and Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” will be organized on Wednesday\, March 12th\, Friday\, March 14th\, 2025\, at 6 p.m.\, and on Saturday\, March 15th\, 2025\, at 11 a.m.     \nTatjana Mihailović\, PhD\, museum advisor of the National Museum Kraljevo\, and art historian Jelena Marković will guide you through the part of the exhibition that includes various types of vessels that were used within the Christian and Islamic cults\, which are covered in a wide time span by the exhibition “Between Trapeza and Sofra”. \nVessels intended exclusively for the needs of cult occupy a special place in the liturgical life of believers and the Church. Sacred vessels\, such as the chalice and the diskos\, have not changed much in shape over the centuries\, while small vessels\, such as the chalice\, are directly used for the preparation of the Eucharist. Some others were used to store holy water or wine. On the other hand\, within the Islamic cult we have prayer ablution cups or Sufi cups with prayer texts. The form and decoration of all these vessels is adapted to the cult needs.
URL:https://nmkv.rs/event/thematic-guidance-in-the-service-of-god-and-faithful-people-cult-metal-vessels-through-the-exhibition-between-trapeza-and-sofra/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/03/Website-event-cover-for-the-thematic-guidance-throught-the-exhibition-In-the-Service-of-God-and-Faithful-People-through-the-exhibition-Between-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250326T180000
DTEND;TZID=Europe/Belgrade:20250329T190000
DTSTAMP:20260403T190931
CREATED:20250323T161828Z
LAST-MODIFIED:20250327T115557Z
UID:17680-1743012000-1743274800@nmkv.rs
SUMMARY:Thematic Guidance “Feasts of Nobility\, Christian and Ottoman” Through the Exhibition “Between Trapeza and Sofra”
DESCRIPTION:Thematic guidance of the exhibition “Between Trapeza and the Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” related to the theme “Feasts of the Nobility\, Christian and Ottoman” will be organized on Wednesday\, March 26th\, Friday\, March 28th\, 2025\, at 6 p.m. and Saturday\, March 29th\, 2025\, at 11 a.m. \nTatjana Mihailović\, PhD\, museum advisor at the National Museum Kraljevo\, and art historian Jelena Marković will guide you through the part of the exhibition that includes dishes used at feasts to serve various types of food\, accompanied by many data and details about the diet and table manners\, through the long period of the Middle Ages and Ottoman rule. \nPublic feasts in feudal society\, in a manorial environment\, represent complex and carefully planned social rituals in which many rules and customs prevailed. The use of various utensils for serving different types of food\, precisely formed sequences of their serving\, the setting of the table and utensils\, servants serving the guests\, all this is part of these public events.
URL:https://nmkv.rs/event/thematic-guidance-feasts-of-nobility-christian-and-ottoman-through-the-exhibition-between-trapeza-and-sofra/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/03/Website-event-cover-for-the-thematic-guidance-Feasts-of-Nobility-Christian-and-Ottoman-through-the-exhibition-Between-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250402T180000
DTEND;TZID=Europe/Belgrade:20250405T120000
DTSTAMP:20260403T190931
CREATED:20250329T105501Z
LAST-MODIFIED:20250329T105501Z
UID:17740-1743616800-1743854400@nmkv.rs
SUMMARY:Guided Tour Through the Exhibition “Between the Trapeza and Sofra”
DESCRIPTION:Guided tour through the exhibition “Between the Table and the Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” will be organized on Wednesday\, April 2nd\, Friday\, April 4th\, 2025\, at 6 p.m. and Saturday\, April 5th\, 2025\, at 11 a.m.     \nYou will be guided through the entire exhibition\, which includes metal vessels from a wide time span\, from the Middle Ages through the Ottoman period to the formation of the modern Serbian state\, which allows you to see an entire social process through the prism of socially highly valued objects\, by Tatjana Mihailović\, PhD\, museum advisor at the National Museum Kraljevo\, and art historian Jelena Marković.  \nThe vessels range in a wide spectrum from those made of precious metals that were part of public feasts\, as a ritual of the aristocratic class\, to those used in Christian and Islamic cults\, then everyday vessels for preparing and serving food\, made of copper\, bronze or brass\, to specially made vessels for sprinkling water when bathing. All of them indirectly testify to the complex life of feudal and late feudal society\, which practically reached the 19th century in its organization of life\, habits and social values ​​in the vast Balkans.
URL:https://nmkv.rs/event/guided-tour-through-the-exhibition-between-the-trapeza-and-sofra/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/03/Website-event-cover-for-the-guided-tour-through-the-exhibition-Between-the-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20250409T180000
DTEND;TZID=Europe/Belgrade:20250409T190000
DTSTAMP:20260403T190931
CREATED:20250402T134922Z
LAST-MODIFIED:20250402T134922Z
UID:17748-1744221600-1744225200@nmkv.rs
SUMMARY:Author’s Guidance Through the Exhibition “Between the Trapeza and Sofra”
DESCRIPTION:Author’s guidance by Nataša Cerović through the exhibition “Between Trapeza and the Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” will be organized on Wednesday\, April 9th\, 2025\, starting at 6 p.m. The exhibition will be guided by Nataša Cerović\, archaeologist and senior curator at the National Museum of Serbia.  \nWith their diversity\, the metal vessels showcased in the exhibition “Between Trapeza and Sofra. Metal Vessels from the 13th to the 19th Century in the Collections of the National Museum of Serbia” offer insight into the types and forms of utensils that were found\, used\, and often crafted in the territories of traditional Serbian lands from the early 13th century to the dawn of the 20th century.   \nThe guided tour will highlight the presence of influences from various cultural environments\, which are noticeable both in the vessels created during the era and in the territory of the medieval Serbian state\, as well as in the regions inhabited by the Serbian people within the Ottoman Empire. In addition to their historical and ethnographic significance\, the displayed vessels hold great artistic value\, as many of them feature unique iconographic and decorative solutions that cannot be encountered outside the collection of the National Museum of Serbia.
URL:https://nmkv.rs/event/author-s-guidance-through-the-exhibition-between-the-trapeza-and-sofra/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2025/04/Website-event-cover-for-the-authors-guidance-through-the-exhibition-Between-Trapeza-and-Sofra-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
END:VCALENDAR