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X-WR-CALDESC:Events for National Museum Kraljevo
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DTSTART;TZID=Europe/Belgrade:20220816T200000
DTEND;TZID=Europe/Belgrade:20221007T200000
DTSTAMP:20260403T231555
CREATED:20220808T191116Z
LAST-MODIFIED:20220822T135220Z
UID:13199-1660680000-1665172800@nmkv.rs
SUMMARY:Beneath the Sky of Gold and Blue: Icons by Greek Master Painters from the 15th to the 19th Century of the National Museum of Serbia
DESCRIPTION:Within the selection of the author of the exhibition\, Branka Ivanić\, museum advisor of the National Museum of Serbia\, 147 icons were included in the exhibition. We are talking about icons of authors from the territories of traditional Greek countries\, as well as from a wider area within the Ottoman Empire and neighboring countries where the influences of Greek culture remained recognizable. \nVisitors will have the opportunity to see the works of the specific Italo-Cretan iconographic style\, current between the 15th and 18th centuries in the area of the Eastern Mediterranean and the Adriatic\, created in the meeting of Orthodox and Catholic influences. The icons on display can come from the workshops or from the templates of famous Cretan painters such as Andreas Ritzos\, Nikolaos Tzafouris\, or Ieremías Palántas. Another group of Greek icons in the Collection of the National Museum of Serbia was created outside the direct influence of Italo-Cretan painting\, in the continental areas of the Balkans\, then under the rule of the Turks. One can recognize contacts with the works of the long-lasting and significant Kostur school\, whose achievements represent a non-negligible share of the total preserved painting heritage of the Balkans during the Turkish era. A special group consists of icons from the Holy Land. \nThe icon was an indispensable object of everyday life in the Orthodox world. An inalienable part of the icon is the signature\, the name of the saint or the composition. The holy person communicates his thoughts and messages directly and in real time to the observer with a text\, usually written on an unfolded scroll in his hand. Referring to the same concept\, the text and image together make the icon alive in the spirit of the one who observes it\, in the moment when he observes it. In Byzantine theology\, veneration of icons allowed the pious to have a direct connection with the divine\, teaching that the honour shown to an image is transferred to its prototype. The largest influx of Greek icons to the National Museum took place in the decades between 1955 and 1975\, when Belgrade was a key point of population migration from the southeast and the western parts of SFRY. Thanks to these multi-year acquisitions\, it was possible to form a whole that reflects the artistic events of the past when it comes to the respect and prevalence of Greek icons among Serbs\, persistent inheritors of Byzantine culture. \nThe exhibition presents the professional and scientific work of the curators of the Department for the Middle Ages of the National Museum of Serbia and the work on conservation and restoration\, as well as the range in the presentation of cultural heritage. \n\n		\n		\n			\n				\n			\n				\n				Icon of the Virgin with Christ\, circle of Andreas Ritzos\, 15th to 16th century\, egg tempera on wood\, gold\, 35.5 x 27 x 2.2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-5413).\n				\n			\n				\n			\n				\n				Icon of the Nativity of Christ\, 16th century\, egg tempera on wood\, gold\, 41 x 38 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2188).\n				\n			\n				\n			\n				\n				Royal doors with the representation of the Annunciation\, first half of the 16th century\, Ohrid\, woodcut\, egg tempera on wood\, gold\, 121 x 70 x 2.7 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-4232).\n				\n			\n				\n			\n				\n				Icon of St. Antony the Great with hagiography\, second half of the 16th century\, Modriča\, egg tempera on wood\, gold\, 40.5 x 50 x 2.2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-4096).\n				\n			\n				\n			\n				\n				Icon of the Virgin of Mercy\, after the model of Angelos Akotantos\, 16th century\, egg tempera on wood\, gold\, 39.2 x 30 x 3 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2111).\n				\n			\n				\n			\n				\n				Icon of the Annunciation\, according to the model of Andreas Ritzos\, 16th to 17th century\, egg tempera on wood\, gold\, 44 x 39.5 x 3 cm\, Collection of Post-Byzantine Art of the National Museum of Serbia (NM-1525).\n				\n			\n				\n			\n				\n				Icon of the Holy Trinity\, 17th century\, tempera on wood\, gold\, silver\, 56.7 x 41 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2187).\n				\n			\n				\n			\n				\n				Icon of Christ the King and the Great Hierarch by Constantinos Zgouros\, first half of the 18th century\, egg tempera on wood\, canvas\, gold\, 58.5 x 40.5 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2189).\n				\n			\n				\n			\n				\n				Icon of St. John the Hermit with scenes from hagiography by Ieremías Palládas\, first half of the 17th century\, Šibenik\, egg tempera on wood\, gold\, 78.5 x 62 x 2.5 cm\, Collection of Post-Byzantine Art of the National Museum of Serbia (NM-1527).\n				\n			\n				\n			\n				\n				Icon of St. John the Forerunner\, late 18th century\, egg tempera on wood\, gold\, 27.5 x 20.9 x 1.4 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2454).
URL:https://nmkv.rs/event/beneath-the-sky-of-gold-and-blue-icons-by-greek-master-painters-from-the-15th-to-19th-century-of-the-national-museum-of-serbia/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/08/Poster-for-the-exhibition-Beneath-the-Sky-of-Gold-and-Blue-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20220920T190000
DTEND;TZID=Europe/Belgrade:20220920T200000
DTSTAMP:20260403T231555
CREATED:20220915T173050Z
LAST-MODIFIED:20220916T102940Z
UID:13447-1663700400-1663704000@nmkv.rs
SUMMARY:Face from Eternity: Figure Drawing According to the Principles of Orthodox Church Painting of the 13th Century
DESCRIPTION:The book “Face from Eternity: Figure Drawing According to the Principles of Orthodox Church Painting of the 13th Century” by Aleksandar Pavlić\, is a drawing manual with the focus on the process of drawing the human head and the figure of saints. Although it was written for beginners\, the manual goes beyond this purpose\, as a kind of comprehensive work in the field of iconographic drawing. A special part of the book consists of examples of paintings\, primarily from the 13th\, but also from the 14th century\, from monasteries: Studenica\, Mileševa\, Sopoćani\, Hilandar\, Vatoped\, Protat Church\, Gračanica\, Old Nagoričano\, Church of the Virgin Perivlepta and other temples\, which can help the user of the manual in learning. \nIcon painting\, or icon\, is a type of liturgical language that vividly and faithfully expresses the teachings of the Orthodox Church. It is theology presented by drawing\, colour\, image\, and form\, in which simplicity is sought at the peak of expressiveness. The saints depicted on the icons and walls of the temples represent the artistic expression of the eschatological experience of the Church\, as a community of all the saints\, gathered around Christ at the Holy Mystery of the Liturgy. \nAleksandar Pavlić (1992) studied painting from an early age\, with Zoran Eric and Vladimir Karanović\, and at the School of Mechanical Engineering and Artistic Crafts “Tehnoart” in Belgrade\, he attended the department of protection of cultural assets. He completed bachelor and master studies in painting at the Faculty of Fine Arts in Belgrade. After university\, he perfected icon painting in the Klisura Monastery\, with the nun Magdalena (Vujčić). He often stayed in the Svetogorje monasteries and the Sopoćani monastery\, where he studied Orthodox painting. He is a lecturer at the icon painting workshop “Svetlost” in Lazarevac. \nParticipating in the promotion: Jovana Durman\, MA\, art historian\, Matija Marković\, MA\, academic painter and the author Aleksandar Pavlić\, MA\, academic painter.
URL:https://nmkv.rs/event/face-from-eternity-figure-drawing-according-to-the-principles-of-orthodox-church-painting-of-the-13th-century/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/09/Poster-for-the-promotion-of-the-book-by-Aleksandar-Pavlic-Face-from-Eternity-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20220930T180000
DTEND;TZID=Europe/Belgrade:20220930T190000
DTSTAMP:20260403T231555
CREATED:20220902T225154Z
LAST-MODIFIED:20220905T214821Z
UID:13431-1664560800-1664564400@nmkv.rs
SUMMARY:Guided Tour through the Exhibition “Beneath the Sky of Gold and Blue”
DESCRIPTION:During the duration of the exhibition “Beneath the Sky of Gold and Blue: Icons by Greek Master Painters from the 15th to the 19th Century of the National Museum of Serbia” by Branka Ivanić\, MA\, museum advisor of the National Museum of Serbia\, every Wednesday at 1 p.m.\, Friday at 6 p.m.\, and Saturday at 11 a.m.\, we are organizing guided tours for all interested visitors. Art historians Jovana Durman and Jelena Marković will guide you through the exhibition about Greek icon painters during the long period of Ottoman rule in the Orthodox area of the Balkans\, the Adriatic and the Mediterranean. \nThe icons on display can come from the workshops or from the templates of famous Cretan painters such as Andreas Ritzos\, Nikolaos Tzafouris\, or Ieremías Palládas. Another group of Greek icons was created in the continental areas of the Balkans\, then under the rule of the Turks. On them\, one can recognize contacts with the works of the long-lasting and important Kostur school\, whose achievements represent an important part of the total preserved painting heritage of the Balkans during the Turkish era. A special group consists of icons from the Holy Land.
URL:https://nmkv.rs/event/guided-tour-through-the-exhibition-beneath-the-sky-of-gold-and-blue/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/09/Poster-for-the-guided-tours-through-the-exhibition-Beneath-the-Sky-of-Gold-and-Blue-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
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