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X-WR-CALDESC:Events for National Museum Kraljevo
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DTSTART;TZID=Europe/Belgrade:20220816T200000
DTEND;TZID=Europe/Belgrade:20221007T200000
DTSTAMP:20260403T230356
CREATED:20220808T191116Z
LAST-MODIFIED:20220822T135220Z
UID:13199-1660680000-1665172800@nmkv.rs
SUMMARY:Beneath the Sky of Gold and Blue: Icons by Greek Master Painters from the 15th to the 19th Century of the National Museum of Serbia
DESCRIPTION:Within the selection of the author of the exhibition\, Branka Ivanić\, museum advisor of the National Museum of Serbia\, 147 icons were included in the exhibition. We are talking about icons of authors from the territories of traditional Greek countries\, as well as from a wider area within the Ottoman Empire and neighboring countries where the influences of Greek culture remained recognizable. \nVisitors will have the opportunity to see the works of the specific Italo-Cretan iconographic style\, current between the 15th and 18th centuries in the area of the Eastern Mediterranean and the Adriatic\, created in the meeting of Orthodox and Catholic influences. The icons on display can come from the workshops or from the templates of famous Cretan painters such as Andreas Ritzos\, Nikolaos Tzafouris\, or Ieremías Palántas. Another group of Greek icons in the Collection of the National Museum of Serbia was created outside the direct influence of Italo-Cretan painting\, in the continental areas of the Balkans\, then under the rule of the Turks. One can recognize contacts with the works of the long-lasting and significant Kostur school\, whose achievements represent a non-negligible share of the total preserved painting heritage of the Balkans during the Turkish era. A special group consists of icons from the Holy Land. \nThe icon was an indispensable object of everyday life in the Orthodox world. An inalienable part of the icon is the signature\, the name of the saint or the composition. The holy person communicates his thoughts and messages directly and in real time to the observer with a text\, usually written on an unfolded scroll in his hand. Referring to the same concept\, the text and image together make the icon alive in the spirit of the one who observes it\, in the moment when he observes it. In Byzantine theology\, veneration of icons allowed the pious to have a direct connection with the divine\, teaching that the honour shown to an image is transferred to its prototype. The largest influx of Greek icons to the National Museum took place in the decades between 1955 and 1975\, when Belgrade was a key point of population migration from the southeast and the western parts of SFRY. Thanks to these multi-year acquisitions\, it was possible to form a whole that reflects the artistic events of the past when it comes to the respect and prevalence of Greek icons among Serbs\, persistent inheritors of Byzantine culture. \nThe exhibition presents the professional and scientific work of the curators of the Department for the Middle Ages of the National Museum of Serbia and the work on conservation and restoration\, as well as the range in the presentation of cultural heritage. \n\n		\n		\n			\n				\n			\n				\n				Icon of the Virgin with Christ\, circle of Andreas Ritzos\, 15th to 16th century\, egg tempera on wood\, gold\, 35.5 x 27 x 2.2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-5413).\n				\n			\n				\n			\n				\n				Icon of the Nativity of Christ\, 16th century\, egg tempera on wood\, gold\, 41 x 38 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2188).\n				\n			\n				\n			\n				\n				Royal doors with the representation of the Annunciation\, first half of the 16th century\, Ohrid\, woodcut\, egg tempera on wood\, gold\, 121 x 70 x 2.7 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-4232).\n				\n			\n				\n			\n				\n				Icon of St. Antony the Great with hagiography\, second half of the 16th century\, Modriča\, egg tempera on wood\, gold\, 40.5 x 50 x 2.2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-4096).\n				\n			\n				\n			\n				\n				Icon of the Virgin of Mercy\, after the model of Angelos Akotantos\, 16th century\, egg tempera on wood\, gold\, 39.2 x 30 x 3 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2111).\n				\n			\n				\n			\n				\n				Icon of the Annunciation\, according to the model of Andreas Ritzos\, 16th to 17th century\, egg tempera on wood\, gold\, 44 x 39.5 x 3 cm\, Collection of Post-Byzantine Art of the National Museum of Serbia (NM-1525).\n				\n			\n				\n			\n				\n				Icon of the Holy Trinity\, 17th century\, tempera on wood\, gold\, silver\, 56.7 x 41 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2187).\n				\n			\n				\n			\n				\n				Icon of Christ the King and the Great Hierarch by Constantinos Zgouros\, first half of the 18th century\, egg tempera on wood\, canvas\, gold\, 58.5 x 40.5 x 2 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2189).\n				\n			\n				\n			\n				\n				Icon of St. John the Hermit with scenes from hagiography by Ieremías Palládas\, first half of the 17th century\, Šibenik\, egg tempera on wood\, gold\, 78.5 x 62 x 2.5 cm\, Collection of Post-Byzantine Art of the National Museum of Serbia (NM-1527).\n				\n			\n				\n			\n				\n				Icon of St. John the Forerunner\, late 18th century\, egg tempera on wood\, gold\, 27.5 x 20.9 x 1.4 cm\, Post-Byzantine Art Collection of the National Museum of Serbia (NM-2454).
URL:https://nmkv.rs/event/beneath-the-sky-of-gold-and-blue-icons-by-greek-master-painters-from-the-15th-to-19th-century-of-the-national-museum-of-serbia/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/08/Poster-for-the-exhibition-Beneath-the-Sky-of-Gold-and-Blue-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20221007T190000
DTEND;TZID=Europe/Belgrade:20221007T200000
DTSTAMP:20260403T230356
CREATED:20221002T085936Z
LAST-MODIFIED:20221003T123616Z
UID:13553-1665169200-1665172800@nmkv.rs
SUMMARY:Collection of Greek Icons of the National Museum of Serbia
DESCRIPTION:On the last day the exhibition “Beneath the Sky of Gold and Blue: Icons of Greek Master Painters from the 15th to 19th Centuries of the National Museum of Serbia”\, a lecture will be held by Branka Ivanić\, MA\, museum advisor and author of the exhibition\, entitled “Collection of Greek Icons of the National Museum of Serbia”. The audience will have the opportunity to hear a broader and more detailed story about the icons that can be seen at the exhibition and the Greek masters who created in the Mediterranean area during the four centuries of Ottoman rule over the Orthodox countries of the Balkans. \nThe icons from the Collection of the National Museum of Serbia were created to the greatest extent in the areas under the jurisdiction of the Greek Archbishopric of Ohrid or on the Adriatic and the Adriatic hinterland\, the Greek bishops of Philadelphia based in Venice. The greater influx of Greek icons into the Collection took place to the greatest extent by purchase in the decades between 1950 and 1975\, when Belgrade was the goal of migration processes from the southeast to a lesser extent\, and from the western parts of SFRY to a very large extent. In those decades\, along with other objects\, five or more icons of the Greek cultural circle were acquired each year. Consequently\, the largest number of icons with a known place of origin originates from those years. Only thanks to such a massive purchase was it possible to form a collection that reflects artistic events in the past when it comes to the respect and prevalence of Greek icons among Serbs\, known heirs of Byzantine culture. \nThe lecture is held as part of Kraljevo’s Day\, the day of the City of Kraljevo\, when the Serbian Orthodox Church celebrates St. Simon\, that is\, St. King Stefan the First-Crowned\, founder of Žiča.
URL:https://nmkv.rs/event/collection-of-greek-icons-of-the-national-museum-of-serbia/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/10/Poster-for-the-lecture-by-Branka-Ivanic-Collection-of-Greek-Icons-of-the-National-Museum-of-Serbia-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Tatjana Mihailovi%C4%87":MAILTO:tatjana.mihailovic@nmkv.rs
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Belgrade:20221013T190000
DTEND;TZID=Europe/Belgrade:20221109T200000
DTSTAMP:20260403T230356
CREATED:20221009T140939Z
LAST-MODIFIED:20221014T150059Z
UID:13584-1665687600-1668024000@nmkv.rs
SUMMARY:Raids – Punitive Expeditions of the Wehrmacht in the Villages of the Žica Srez in 1941
DESCRIPTION:The cooperation of the soldiers of the Royal Yugoslav Army in the Fatherland and members of the Yugoslav Partisan\, as well as their joint insurrectionary actions\, coordinated from the headquarters in Drakčići\, led to joint actions against the occupiers and to the siege of the German garrison in Kraljevo in early October 1941. In order to ease their position\, the German army fired artillery shots at the lines of the insurgents\, carried out quick and sharp raids on the insurgent positions\, destroyed and burned the surrounding villages and took hostages for shooting – 100 Serbs for every killed German soldier\, and 50 for every wounded. Because of the losses suffered in their ranks – 14 dead\, two of them officers\, and 10 wounded\, in the night between October 14th and 15th\, the Germans declared a state of emergency and martial law on October 15th. \nRaids by the German army (the 717th Kraljevo Infantry Division\, parts of the 737th and 749th Regiments and Artillery Divisions) in the surrounding villages that began in September 1941 they had the character of selective punitive measures\, directed against specific individuals. However\, with the spread of the uprising\, the intensification of actions and the expansion of the area of influence\, the German troops will move on to retaliatory measures against the entire population of a certain place. They reacted particularly harshly in cases of road endangerment. Residents of villages in the immediate vicinity of the city (Grdica\, Adrani\, Jarčujak\, Čibukovac\, Ribnica)\, villages near military installations (Jovac\, Mrsać\, Kovači\, Žiča)\, villages on road routes vital for the German military force (Šumarice\, Vitanovac\, Milavčići\, Pečenog – towards Kragujevac; Kovanluk\, Ratina\, Vrba – towards Kruševac) and villages where there were insurgent positions (Sirča and Drakčići). In the raids of Wehrmacht soldiers in November and early December\, the inhabitants of Mataruga\, Mataruška Banja\, Cvetke and Lađevci also died. The consequences of these punitive expeditions were: the suffering of the civilian population\, looted and burned households\, destroyed crops and decimated livestock. \nAccording to the data established so far\, 264 civilian victims of raids by the German army in the villages of the Žica region were recorded\, who perished from August 11th to December 13th\, 1941. The youngest victim was a newborn\, one day old\, while the two oldest victims\, Velika Mijailović and Vemija Trifunović\, were both 95 years old. \nThe authors of the exhibition are the historians of the National Museum Kraljevo: Mirjana Savić\, museum advisor and Nemanja Trifunović\, curator.
URL:https://nmkv.rs/event/raids-punitive-expeditions-of-the-wehrmacht-in-the-villages-of-the-zica-srez-in-1941/?lang=en
LOCATION:National Museum Kraljevo\, Trg Svetog Save 2\, Kraljevo\, 36000\, Србија
ATTACH;FMTTYPE=image/jpeg:https://nmkv.rs/wp-content/uploads/2022/10/Poster-for-the-exhibition-Raids-–-Punitive-Expeditions-of-the-Wehrmacht-in-the-Villages-of-the-Zica-Srez-in-1941-in-the-National-Museum-Kraljevo.jpg
ORGANIZER;CN="Nemanja Trifunovi%C4%87":MAILTO:nemanja.trifunovic@nmkv.rs
END:VEVENT
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