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The exhibition is dedicated to Serbian-Italian cultural and artistic ties, that is, to Serbian artists who found role models and incentives for their creativity in the artistic tradition of Italy. The Italian "experiences" of Serbian artists during the 19th and 20th centuries are visually represented by the selection of works of art from the collection of the Gallery of Matica Srpska. 
The thematic backbone of the exhibition is represented by the presentation of the city as a key place where modern culture and art began and developed dramatically and rapidly, first at the transition from the 18th to the 19th and then from the 19th to the 20th century. In fine art from the 17th century, the motif of the city was represented to the greatest extent in printed graphics, whether it was individual prints or graphic maps with topographic representations of different places. |
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Guided tour through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska gives a complete insight into Serbian-Italian cultural and artistic ties, following the work of Serbian artists of the 19th and 20th centuries who shaped their artistic works under the influence of the art of the Apennine Peninsula. Art historian Jelena Marković will guide you through the experience of artists who drew inspiration from the Italian artistic tradition. |
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Guided tour through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will provide visitors with a comprehensive insight into the development and transformation of the depiction of urban landscapes in graphics. Art historian Jelena Marković will guide you through this transformation from accurate and documentary representations to innovative and subjective approaches inspired by impressionism and post-impressionism. |
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The author's guidance through the exhibition “Inspired by Italy” of the Gallery of Matica Srpska gives a complete insight into Serbian-Italian cultural and artistic ties, following the work of Serbian artists of the 19th and 20th centuries who shaped their artistic works under the influence of the art of the Apennine Peninsula. Through the experience of artists who drew inspiration from the Italian artistic tradition, you will be guided by the curator of the Gallery of Matica Srpska, art historian Stanislava Jovanović Mindić. |
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Author's guidance through the exhibition “Cities: A Certain View. From the Collection of Graphics by Foreign Authors of the National Museum of Serbia” will provide visitors with a comprehensive insight into the development and transformation of the depiction of urban landscapes in graphics. Dragana Kovačić, PhD art historian and museum advisor of the National Museum of Serbia, will guide you through this transformation from accurate and documentary representations to innovative and subjective approaches inspired by impressionism and post-impressionism. |
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The Nazi occupation of Slovenian Styria in the spring of 1941 was a great disaster for Slovenians. In accordance with Hitler's order “Make this country German again!” the occupier wanted to destroy the Slovenian nation in just five years and completely Germanize the country. Among the most important measures were arrests and mass deportations of the population, and Serbia was designated as the end point. From June 7th to July 10th, 1941, 6,802 people were deported from Slovenia to Serbia in 17 transports. |
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The Allied bombing of Kraljevo and its surroundings is part of a wider military-strategic plan to stop the Second World War. In order to prevent the grouping of German forces and their movement from the Balkans to the Western Front, the commands of the Balkan Military Air Force (BAF) directed a series of aerial bombing missions against military-strategic targets in the Balkans. During 1944, the German army group “E” was attacked, which was retreating from Greece through the Moravian-Vardar valley in the direction of Yugoslavia. |
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